Nida Ghouse

Nida Ghouse is a writer and curator living in Berlin. A recent essay, “The Whistle in the Voice,” appeared in the publication accompanying Natascha Süder Happelmann’s presentation for the German Pavilion at the 58th Venice Biennale (2019). She co-curated “Parapolitics: Cultural Freedom and the Cold War” (2017), is co-editing the accompanying publication (Sternberg Press, 2021), and is realizing an exhibition on an archaeology of sound called “A Slightly Curving Place” (2020), all at Haus der Kulturen der Welt in Berlin. She began her practice with the curatorial programme at the Townhouse Gallery in Cairo, was the first recipient of the FICA-Delfina Research Fellowship in partnership with Goldsmith’s Curatorial/Knowledge PhD programme in London, and served as director of Mumbai Art Room, an experimental exhibition space in Bombay.